Absurdly, the instrument begins to play the performer.
Premiered at Monopol Berlin, April 16th 2025, 35 min.
Light by Studio Kodek
James Bradlee
16.04.25
16.04.25
James Bradlee
16.04.25
16.04.25
James Bradlee
16.04.25
16.04.25
James Bradlee
16.04.25
16.04.25
Through on-site composition and acoustic measurements, the piece play with perception of space by extracting, exaggerating, and bending its resonant frequencies.
The cave is no longer just a container for sound, but its source.
Permanently installed at Maison Ruinart, Reims France.
12.1 audio format, 9’12” continuous loop
Photo by Ruinart for Julian Charrière
Chorals, 2025
VG Bild-Kunst, Bonn, Germany
Commissioned for Dreamscape Festival, Tallinn, March 15, 2026, 50 min.
Audio reactive light sculpture by Brice L. Edwards.
Photo by Karl-Markus Mütt
Dreamscape Festival, 2026
Dreamscape Festival, 2026
I sound-monitored the performance throughout its duration, capturing his breathing, singing, and other sounds, which later became part of an exhibition soundscape built around the sphere’s 84 Hz resonant frequency.
Photo by Gudni Gudmundsdottir
Rhetorical Silence, 2026
Rhetorical Silence, 2026
Photo by Gudni Gudmundsdottir
Rhetorical Silence, 2026
Rhetorical Silence, 2026
Photo by Gudni Gudmundsdottir
Rhetorical Silence, 2026
Rhetorical Silence, 2026
Exhibited at MHNCA, Mexico City; Museum Tinguely, Basel; Perrotin, Tokyo...
4K film, 16:10 aspect ratio, 4.1 audio format, 54 min.
Midnight Zone, 2024
VG Bild-Kunst, Bonn, Germany
Midnight Zone, 2024
VG Bild-Kunst, Bonn, Germany
Midnight Zone, 2024
VG Bild-Kunst, Bonn, Germany
Visuals by Gokalp
Cajsa Borgström
30.08.24
30.08.24
Cajsa Borgström
30.08.24
30.08.24
The sound that comes out of it is aimed to be palpable, almost as an illusion for these machines to be.
Recorded in Funkhaus Berlin, released on all digital platforms + CD production, 27.03.25
Maya Sehmer
27.03.25
27.03.25
Maya Sehmer
27.03.25
27.03.25
Blank Pages collectif X WinterMünze, at Alte Münze
Berlin, 07.12.24
07.12.24
02.05.24